Books
Comment 1

King of the Bingo Game by Ralph Ellison

Ralph Ellison, 1961

Ralph Ellison, 1961

Ralph Ellison (1914-1994), best known for The Invisible Man, was a novelist and critic, who also wrote an anthology of essays on the works of William Faulkner, Richard Wright and the music of Duke Ellngton.  Mr. Ellison received the National Medal of Arts in 1985.

Symbolism in literature can possess a universal meaning, or one recognized in different stories, or a personal meaning, a meaning that only makes sense within that piece of writing.

The way to tell if something is symbolic is whether it seems to speak to something greater than itself (such as, Robert Burns’ “My Love Is Like A Red, Red Rose”).

Ralph Ellison’s “King of the Bingo Game” has several symbols. The three I want to touch on today include the beam of light in the projection room, the bingo wheel, and the button.

The nameless protagonist in this story is in financial need; he has not eaten in days and his wife, Laura, is ill.  In the opening of the story, his enjoyment of a racy picture-show is hampered by the projection light:

“It was strange how the beam always landed right on the screen and didn’t mess up and fall somewhere else.  But they had it all fixed.  Everything was fixed” (478).

As if they view the light as being in control of the storyline, the projection light is blamed for the racy scene being tamed instead of baiting the crowd’s desires.  Later in the story, the light acts as a kind of antagonist, blinding him from seeing the audience and the policemen.

We know that the projection light is a symbol because it refers itself as a symbol of exposure and human control; commanding attention to whatever it shines upon and fixating on his ’10 minutes of fame’ and later, breakdown.

The bingo wheel is another symbol of the story representing the other form of control: divine fate.  “He felt vaguely that his whole life was determined by the bingo wheel, not only that which would happen now […] but all that had gone before” (Ellison 480).

The wheel is clearly a symbol because it is more than just an object; it has the power to change lives, and here the nameless protagonist believes that it holds the destiny of his family, if only it could be controlled.  But how do you control fate?

The third symbol, the wheel’s button, represents the nameless protagonist’s chance at changing fate.  According to Ellison, he has practiced how the players hold the button, how long they press it and he knows just what to do to win (480).  When his chance arrives, however, he can’t let go, as we see here:

There was still that feeling of helplessness […] Then, like the sudden shriek of a subway whistle, a doubt tore through his head.  Suppose he did not spin the wheel long enough?  What could he do, and how could he tell?  And then he knew, even as he wondered, that as long as he pressed the button, he could control the jackpot.  He and only he could determine whether or not it was to be his. (481)

The nameless protagonist comes to the realization that he is playing for more than just the “jackpot of $36.90” (Ellison 480), as long as he wields the button, he, rather than the projection light, has control of the audience’s attention.

He has control of his own destiny.

It is this realization that signifies the importance of the button as a symbol within the story.  It is this control that makes him, however brief, the “King of the Bingo Game”.


Source Reading: Fiction 100: An Anthology of Short Fiction, 11th ed. Ed. James Pickering. Upper Saddle River, New Jersey: Pearson Prentice Hall, 2007. 478-484.


Want to keep in touch?

  1. Follow me on Facebook, Google +, LinkedIn, or @lmillerbooks on Twitter.
  2. Stop by at Goodreads to discuss your favorite reads.
  3. Subscribe today to receive the latest posts delivered to your inbox or by RSS Feed.
This entry was posted in: Books
Tagged with: ,

by

Lauren Miller is a Midwestern born writer with a passion for Jesus, the written word, and dogs. She has seventeen years of experience in the library field and reviews books for the Historical Novels Review (UK). Lauren is the Managing Web Editor and writer for The Scribe, a web publication of the St. Louis Writers Guild, where she also serves as their Director of Communications. She likes to spend her free time enjoying period films, discovering new reads, and being surrounded by other people’s pets. Lauren, her husband, and their wily Maine Coon (who isn’t quite a dog) live in Missouri. You can learn more about Lauren’s writing at LaurenJoanMiller.com.

1 Comment

  1. Pingback: Lauren Miller | Author of Historical and Spec Fiction | Best of 2012

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s